CHOO Radio Recollections An on line scrapbook of images & text for former staff and listeners alike ================================================================= | ||||||||||||||||||||
(ABOVE) Simplified CHOO master control board diagram included in booklet given to part timers, circa late 1970s/early 1980s, original artist unknown! I got mine in 1979 from my first CHOO PD, Tom Edge, a great guy, and a terrific radio man. (BELOW) From the same booklet, diagrams showing the CHOO master control music wheel (up on the wall to supposedly insure a proper rotation of types and categories of music played) and a bird's eye view of the vertical filing system used to house the 45 rpm records kept in the control room just above the turntables. (See photo on page one.) | ||||||||||||||||||||
(RIGHT) For those of you who have forgotten what 45s looked like, or have never seen one, here's a closeup of the label for that Olivia Newton-John song I mentioned earlier, written by a Canadian Adam Mitchell, which bizarrely qualified it as Canadian Content! Since 1970 all AM radio stations in Canada have had to play 30% Canadian music as part of their licensing requirements. The way it was calculated in those days was designated the MAPL ("Maple") system, in which a point was awarded for Music composition by a Canadian, one for Lyrics written by a Canadian, one for a Canadian Artist and another for a Production wholly recorded in Canada. If you had two or more points, that was a CanCon recording! The circular symbol you see, originally designed by Stan Klees for RPM Weekly and adopted by the Canadian recording industry, made it easy for DJs to quickly determine a record's CanCon status. | ||||||||||||||||||||
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